Many Like Us Is a large-scale portrait made from A4 black and white printed sheets, displayed on a public wall. Over time, the image deteriorates through human interaction—torn by passersby, obscured by fliers, or erased through wear and tear. This gradual decay symbolizes the fragility and resilience of individuals in undervalued roles, whose contributions are often overlooked and forgotten. The installation reflects the quiet endurance of those who face systemic challenges, whether due to economic hardship, social expectations, or unequal opportunities. It draws attention to the strength required to persist in the face of adversity, while questioning why these struggles remain invisible or unacknowledged. The piece also highlights the tension between resilience and erasure, challenging viewers to consider how societal structures contribute to the loss of individual voices. As the image fades piece by piece, the work invites reflection on broader themes of labor, identity, and collective memory. It asks how we value those whose efforts sustain our communities but often go unnoticed, urging us to confront the inequities that shape both personal and collective histories.

Medium: paper Dimensions: A4 cm Date: 2005